** No Stopping Us Now by Gail Collins

No Stopping Us Now: The Adventures of Older Women in American History both traces the history of how older women have been treated throughout American history and tells many anecdotes of specific women. I found the first theme most accomplished, in particular as it highlights the surprising ups and downs of women’s status (I suppose I should say it’s surprising to see that there were many ups). The anecdotes are interesting but the main focus seems to be on politics and entertainment, so mostly prominent women, and it would have been good to consider more average women. Still, a very readable and entertaining book.

** American Spy by Lauren Wilkinson

I find spy novels ridiculous and, although American Spy is elaborately staged and includes a clever family and romantic back story, I did not enjoy the spying bits, of which they are many. But you might!

*** Olive, Again by Elizabeth Strout

Olive, Again continues the story told in Olive Kitteridge, with the heroine a little older but still blunt, practical, and just a little detached to fully commune with family and friends, to everyone’s dismay. It’s sweet and sad.

*** The Queens of Animation by Nathalia Holt

The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History tells the stories of the female artists who, when allowed by a fiercely male-dominated system, contributed essential story lines and lovely details to Disney movies. Think Dumbo’s “Baby Mine” song, or Cinderella’s mice. It’s astonishing that their names did not appear in the credits, as did many of their male counterparts’, that they worked on minute salaries, and that they were the first to be fired when the studio hit financial troubles. Along the way, the author also talks about the many technological changes that transformed animated movies–and we get to revisit all the classic movies. A treat.

*** A Midwife’s Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812 by Laurel Thatcher Eldrick

Martha Ballard, of A Midwife’s Tale likely hand idea that her diary would one day be the object of learned discovery. She wrote it as a cross between a weather almanac, a recitation of the house chores she accomplished every day, the babies she delivered and patients she helped, complete with an accounting of payments, and a list of house guests. And a mass murder or two (really!) But patiently analyzed, the diary also revealed wedding customs (lots of very early babies!), her difficult relationship with her husband, her wayward son, the peril of the frozen river that separated her from half of her patients, the complicated relationships between midwives and doctors, and how overwhelming women’s chores could be, with lots of children and no appliances or read-bought anything. Highly recommended for a glimpse at the lives of everyday women in the late 18th century.

** A Life of My Own by Claire Tomalin

A Life of My Own is a memoir by a writer who specializes in biographies, so it’s an opportunity to observe a professional at work. She includes plenty of personal commentary on her own life, from her fractured childhood between divorced parents, at a time when it was a matter of shame, and during WWII to boot, to her own difficult marriage, and moving accounts of her children, living and dead, and an especially poignant portrait of a son who was born with spina bifida. Her professional life, although very successful in the end, was tough at first, when she could not find a professional job despite her Cambridge degrees. Society has made some progress since then, it seems.

*** The Testaments by Margaret Atwood

The Testaments is the sequel to The Handmaid’s Tale, although it stands on its own, and, coming twenty years after it, it further highlights the eerie intuitions of the author about men-led dictatorships, not to mention the MeToo movement. Written cleverly and seamlessly by three women, one with considerable power and two who can only be described as rebels, it describes how the bleakest of oppressive powers can be brought down by apparently powerless agents. Chilling, but inspiring. I almost gave it four stars.