A Strange Business: Art, Culture, and Commerce in Nineteenth Century London talks about the artists, their patrons, and all the craftsmen and business people that made the practice and commerce of art possible in the United Kingdom during the 19th century. The author starts off with a painfully assembled foursome, Coleridge, Wordsworth, Turner, and Faraday, but does not seem to do much with them (although they obviously make repeated appearances in the various chapters of the book, which focus on various aspects of the art business). He also has some difficulty showing that what happened in London art circles at that time was any more than the normal benefits of wealth in making it possible for artists to thrive. There are a few interesting comments, such as when he points out that both artists and the nouveaux-riches who so wanted to appear cultured often came from the same, unhealthy backgrounds. But otherwise I found the book a little dry, full of dull correspondence and bills for various works of art and art supplies.