The Lacuna tells the life story of a teenager to young man who makes his own way in the world between Mexico and the United States, thanks to a Mexican mother whose main purpose is to find a husband and a distracted, remote, and often inept American father. Along the way he works for Diego Rivera and Frida Kahlo, which will create big problems for him when McCarthyism gripes the US (and he has become a well-known novelist).
It’s a big, engrossing story, but I found the historical coincidences to be so overwrought that they interfered with the enjoyment of the story. What are the chances that a talented novelist would be working as a cook for Frida Kahlo, let alone Trotsky? The book is at its best when it describes more ordinary historical events: the draft, the baby boom, the creation of the suburbs. And even better when it captures the Mexican cook who takes the boy under his wing, the racist boarding house owner who will not rent to Jews, the loyal secretary with humble roots and a strong sense of justice, not to forget the conventional, narrow-minded members of the small-town book club. I would have preferred the story to be lower-key.